John waite dating
" Moreover, somewhere in between bites of sweet and sour shrimp and sips of ginger ale, Waite does give off an overarching vibe that he's come to terms with most of his past disappointments, whether concerning his personal life (often laid bare in his lyrics) or his career. Certainly, this couldn't be a bad thing at all for a guy who once lived an admittedly "edgy" lifestyle, as depicted with a compelling, darkly poetic realism on the Temple Bar album, or for a guy whose search for less alienation and "More" of anything authentic - anything real - has also been a dominant lyrical theme. And this time around, I had the same keyboard player, and he got it right! it's too me." Although these days some of his work now displays a more upbeat sense of acceptance, redemption, closure, and renewed hope ("Always Be Your Man," "Touch," "New York City Girl," "New Thing"), cut-to-the-bone songs like "Masterpiece of Loneliness" and "Thinking About You" are the kind of utterly beautiful, "sweet sorrow" vignettes that may still hit the most universal cord - especially for many of us who don't have the wherewithal - not to mention the guts - to express it so personally or poetically ourselves.This is partly a result of his ongoing search for a deeper truth and meaning in life in general - a quest which touches the core of all of his songs - and one that led him to further develop and study his longtime interest in Zen. After all, whatever its benefits, that artistic angst should only have to go so far ... So, I stopped." And that clean living flatters him in other respects, too. " No, this is not exactly the same hotheaded (but already charismatic) John Waite I first saw in the late '70s at the Aragon Ballroom in Chicago while he was fronting The Babys in the middle of a mismatched bill with (what he calls) "full-on country and western, southern rock" bands Molly Hatchet and 38 Special. And I also had Shane [Fontayne] for the six string bass, which I didn't really think of last time 'round. It gave it ambiance, it gave it a room sound, like a sadness ... It is the one song I've written that really upsets me; everything else I can just go "Yeah! But then artistic courage - whatever the consequences - is something Waite has never been short on.
"I've been the long way around," he reckons, "but I feel very justified in my career, and I'm just thrilled to be working, you know? You know, the times that I've had that were at the very, very top - with everything going right - were good fun, but also the opposite of those times have been just as much fun - it truly has! But, on the other hand, he muses, "I've spent so much time in America now, maybe I'll head to Tennessee ...
Part of that philosophy is the age old (but too often forgotten) axiom that when you have everything materially, you really have nothing, and when you seem to have nothing, you may already have everything that really matters. Not surprisingly, Waite does allow that his life is "very" different kind of experience these days: "I don't even drink! And I can remember what I did when I wake up in the morning; I'm not sort of like ... It got to the point, honestly, where - and I wouldn't mind being - Well, I was married for a long time, and I'm divorced now, right? I looked in the mirror - I must have been shaving one morning - and going, 'How the Hell did I get here?! First off, his immediately recognizable vocal purity, dexterity, and interpretive phrasing - evident on the soulful ballads as well as on the wailing, bluesy rockers - has never been more stunning, as could be witnessed not only on the current album, but also during the solo-date set he played previously in the evening at an outdoor festival. For example, as Waite himself recounts, "When I left Bad English, I was absolutely determined that I wouldn't just cop out and be a rocker. I mean, everyone sounds the same at a certain level; they're desperately trying to play the same lick.
And that mindset, in particular, is often subtly or overtly referenced in much of his work (especially in the double-entendre'd "Godhead," an absolutely scorching, full-on blues/rock number on the current album), but you can also infer its impact on his view of the world relating to many other worthwhile life subjects. And at some point I just saw myself clearly as some guy who was just on his way to being drunk, or with a hangover ... Moreover, despite his oft-austere press photos, there's a certain vitality to him that is even more evident offstage. So, I moved back to my roots, which were blues and country, but I tried to do it with a New York consciousness.
This song is not for you--- From "Thinking About You," from John Waite's just released solo album, "Figure in a Landscape." "It only took ten minutes to write that one! "Opening that third beer and the Flintstones were on ... During that period he found two of his best-ever albums (from an artistic, singer/songwriter perspective), the stark and utterly self-revelatory "Temple Bar" and the roots flavored, storytelling "When You Were Mine," basically frozen in their tracks due to major label business troubles and/or priorities that coincided with their respective releases. " he quips when you get him going on his current attitude towards the mega-corporation/big-label music business BS he's witnessed firsthand during his 25 year career that first began in the US with The Babys, extended through his solo heyday in the '80s, and then on past his stint with Bad English.
" enthuses the mercurial John Waite, erstwhile rock vocalist/frontman extraordinaire, when asked about "Thinking About You," the head swiveling and ultra-contemporary mid-tempo rock tune off his latest, recently released solo album, "Figure in a Landscape." Certainly, that song, above all the other effervescent and atmospheric potential hits on the record (and there are many) most definitely should turn a new generation on to the distinctive, often compelling talents of this enduring Lancaster (England) native who more recently has shone even more brightly in the role of "confessional" singer/songwriter. Still, I can't help but be taken aback at his uncanny knack for completing many of my questions and comments with dead-on accuracy. And that's really a great little slice of modern life, a concise snapshot of what it's actually like... But Waite, by turns deeply reflective and lightheartedly witty this late summer evening, is also one not to take anything about himself too seriously. For a start, though he seems to shrug it off, he also notes "they don't pay me for those" when I mention certain past albums that are now released as two-fer type CD compilations by one of his former record companies. That justifies the uneasy gut feeling I had when I bought one of those babys at Borders a year or so back!